屈原作品叙述方式刍议  

Narrative modes in QU Yuan's works

作　　者：方铭[1] 

机构地区：[1]北京语言文化大学,100083

出　　处：《汕头大学学报（人文社会科学版）》1999年第1期25-32,共8页Journal of Shantou University(Humanities and Social Sciences Edition)

摘　　要：楚辞是以抒情为特征的，但是，其抒情的特点又蕴涵在对事件、个人遭遇、感情的叙述之中。其独特的遭遇和感情正是通过奇特的叙述方式体现的，因此，屈原作品经久不衰的艺术成就也体现在作为抒情诗的叙述方式方面，屈原作品叙述方式的奇特是其艺术成就的重要组成部分。屈原作品在叙述方式方面表现为叙述结构的极端无序化，以女人自比以及大量出入于鬼神之境，叙述语言的华艳与悲剧性的叙述基调等。The Songs of Chu State (or Chu Ci in Chinese) are characterized by lyricism with its features implied in the narration of episodes and of unique personal sufferings and feelings in modes strange enough to become one of the important constituents of QU Yuan's artistic achievements. And the ever-lasting artistic achievements of QU Yuan's works do find expression in the narrative modes for lyric poetry. The narrative modes of QU Yuan's works manifest themselves in an extreme disorder, in a comparison of the author himself to a female frequently coming into and going out of a land full of gods and ghosts, in the use of flowery narrraive language, and in a tragic narrative keynote, etc.

关 键 词：屈原 叙述方式 无序 叙述语言 悲剧基调 

分 类 号：I207.2[文学—中国文学]