论人聚环境与雕塑观念的变化  

On the Changes of Human Environment and Sculptural Concepts

作　　者：成阳 

出　　处：《雕塑》1998年第4期12-13,共2页Sculpture

摘　　要：人类聚居环境学(EKISTICS)的理论,是由希腊学者、城市规化学家萨迪亚斯(CC.A.Doxiadis)等人于二次大战以后首先创立的。它是一个以人类的生产、生活环境为基点,研究自然环境、人、社会结构、城市与建筑发展的学科体系。在人类进入现代高科技信息生态文明时代后,去寻求自然生态的保护、人与自然的和平共处营造了可持续发展的、适合人的、理想和美好的人工环境则变得更加迫切和必要。The study of human environment is a discipline that studies natural environment, man, social structures, cities and architectural development on the basis of man's production and living environment. As a science that mainly studies the relationship between man and environment for the purpose of establishing the co-existence relationship between man and nature, environmental art is also an indispensable part of the study on human environment. The sculptural concept of the ancient Greek is the reproduction of sacred and ideal beauty. The concepts of those outstanding figures of various schools, who represent modern sculptural art, are also shown in their artistic creation. The study of human environment, which appeared after the Second World War, has also a deep impact on the conceptual changes of environmental art and environmental sculpture. The result of undue emphasis on the relationship between sculpture and architecture lies in the fact that sculpture becomes an appendage of urban buildings. It is indeed necessary to call for the soul of sculptural art again on the theoretical basis of today's brand-new theory of human environment so as to create new concepts of sculpture as the essence and high-level art in accordance with its law of creation,

关 键 词：人聚环境 雕塑观 以人为本 人类聚居环境学 城市与建筑 艺术形式 工业文明时代 可持续发展 生态文明时代 建筑学专业 

分 类 号：J30-05[艺术—美术]