从诸子学说到小说文体——论《汉志》“小说家”的文体演变  

From Ancient Chinese Philosophers' Theories to Novel Style——On Literary Style Development of the "Novelist" in Han Zhi(Records of Han Dynasty)

作　　者：姚娟[1] 

机构地区：[1]华中师范大学文学院,湖北武汉430079

出　　处：《西南交通大学学报（社会科学版）》2009年第2期64-67,73,共5页Journal of Southwest Jiaotong University(Social Sciences)

摘　　要：先秦至西汉时期,"说"是一个被广泛使用、内涵复杂的概念,它的愉悦义与言说义两个义项影响了人们对《汉志》"小说家"的理解。《汉志》"诸子略"中的诸子十家作品,唯有小说作品多以"说"命名。《汉志》以"小说家"来概括这部分作品,采用的主要是"说"的"学说义"。对书籍文体特征的认识,使《汉志》中"小说家"的"说"又成为了文体概念,小说也逐渐从诸子小说向小说文体发展。From Qin Dynasty to Han Dynasty, Shuo （novel） was a broadly used concept with very complicated connotation. Shuo＇s two dictionary items, joy and saying, have influenced people＇s understanding of the term “Xiaoshuojia （novelist）” in Han Zhi （Records of Han Dynasty）. In works of ten ancient Chinese philosophers in Hart Zhi, only novels were titled as “Shuo”. In Han Zhi, this part was categorized as “Novelists”, which adopted the “saying” meaning of the character “Shuo”. The consciousness of literature style, made Shuo become a literary style concept. Xiaoshuo （novel） gradually developed from Zhuzi novels to a literary style.

关 键 词：《汉书·艺文志》 小说家 诸子小说 小说文体 刘勰 桓谭 

分 类 号：I207.41[文学—中国文学]