妖女形象的三重成因——《艾玛》的精神分析  

Triple Causes of Formation of Treacherous Images——Psychoanalysis of Emma

作　　者：刘俊池[1] 

机构地区：[1]洛阳师范学院外国语学院,河南洛阳471022

出　　处：《温州大学学报（社会科学版）》2009年第3期27-32,共6页Journal of Wenzhou University：Social Science Edition

摘　　要：夏洛蒂.勃朗特是一位不断超越自我的作家。她的最后一部小说《艾玛》建构了与其先前四部作品主人公形象完全不同的另类:一位妖女形象。从精神分析的角度来看,执著行恶的艾玛被三重心理动因驱动着:阴影原型的放纵与肆虐;潜意识中对厄勒克特拉情结的病态固恋;社会性格的扭曲与社会兴趣的缺失。《艾玛》代表了夏洛蒂晚期创作的新构念,更显露出女作家对人性复杂性的关注与探索。As a creative writer, Charlotte Bronte believed in the faith of superego. In her last novel Emma, a treacherous image, which is different from the other protagonists in her previous four novels, was created. From the perspective of psychoanalysis, the demonic Emma＇s evil behavior is driven by triple causes： the wreaking havoc and dissipation of shadow archetype, the morbid fixation to Electra complex in her unconscious as well as the deformation of the social character and the deficiency of social interest. Emma presented new ideas as well as her intentional concern of and exploration into the complexity of human nature in Charlotte Bronte＇s later works.

关 键 词：夏洛蒂·勃朗特 《艾玛》 妖女形象 阴影原型 厄勒克特拉情结 社会性格 社会兴趣 

分 类 号：I106.4[文学—世界文学]