身体主体性的起源与审美发生论——主体论身体美学论纲之一  

The Originality of Body Subjectivity and Aesthetical Occurrence——One of Subjectivity Body Aesthetics Outline

作　　者：王晓华[1] 

机构地区：[1]深圳大学文学院,广东深圳518060

出　　处：《河北学刊》2009年第3期59-63,共5页Hebei Academic Journal

基　　金：广东省哲学社会科学"十一五"规划项目<主体性理论视野中的身体美学建构:主体论身体美学研究>

摘　　要：作为建构主体论身体美学的第一步,本文首先探讨了身体主体性的起源,继而重新阐释了审美的发生学过程。主体性归根结底是身体建构世界的能力。这种能力诞生于三个以上身体的联合,联合的本质是共事,共事中的个体结缘为行动网络。此行动网络实现着个体—身体的共同目的,展开为动态的筹划结构。所以,原初的审美主体是"我们",人、工具、对象的综合。在审美发生过程中,至少有三个基本转折,即由群体主体到个体主体;由直接的合身体性到间接的合身体性;由简单的实用性运作到相对独立的自由想象—运演。This paper explores the originality of body subjectivity and then the process of re - interpreting aesthetical occurrence. In a word, subjectivity is the ability to construct the world with body, and this ability comes from the combination of more than three bodies. The common goal of individual and body is to develop a dynamic structure, so the original aesthetical subject is the comprehensive group of＂ we＂, people and tools. In this process, there are three turns, namely, from group subject to individual subject, from direct body to indirect body, and from simple practicability to relative independence.

关 键 词：身体 主体性 审美 发生论 

分 类 号：B83[哲学宗教—美学]