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作 者:汤凌云[1]
机构地区:[1]北京大学哲学系,北京100871
出 处:《徐州师范大学学报(哲学社会科学版)》2009年第3期31-38,共8页Journal of Xuzhou Normal University(Philosophy and Social Sciences Edition)
基 金:湖南省教育厅资助科研项目:<中国现代诗学的本土渊源>(项目编号:07C343)
摘 要:中国现代诗学与禅学之间存在着深层的思想渊源关联。其一,从思维方式看,禅学讲妙悟,重视奇妙的刹那间,而灵感的触发恰是妙悟生成的基础;中国现代诗学认为,诗是心绪的传达,是天机的意外泄露,是灵感的刹那闪现。其二,从情感体验看,不立文字,推重个体的亲证,讲究个人的体验领悟,是禅学的主要特征;中国现代诗学强调,诗人或诗论家应结合个人独特的生命体验,以意会的态度来与诗情相契合,玩味其中的韵味与情致,而不以分析的、逻辑的、科学的方式去肢解诗。其三,从生命境界看,在禅学中,灵感并不神秘,妙悟亦不诡异,要以平常心态,靠个人直接体验,感受活泼泼的生命意趣;中国现代诗学提倡活鲜鲜的、运动的表达效果,而活鲜鲜的审美情趣不离日常生活世界,就在平常被忽视的普通事物当中。In the view of background of thoughts, there is a deep realationship between Zen Buddhism and the modem Chinese poetic thoughts. Firstly, Zen Buddhism claims for wonderful comprehend. It pays attention to instantaneous moments. While the trigger of inspiration is a base of wonderful comprehend. The modem Chinese poetic theorists think that a poem is a way of expressing frames of people' s feelings, and it is a unexpected leak of the nature's mystery with the abrupt outbreak of inspiration. Secondly, it is well-known that to regard for individual' s personal appreciation and experience are main characteristics of Zen Buddhism. The modem Chinese poetic theorists also emphasize that a poet and a reviewer should experience particularly for oneself, and the feelings of poems cannot be explained in words but can only be sensed and came across by tasting the rhyme and reason, instead of interpretation of analytical,logic, or scientific. Thirdly, the modern Chinese poetic theorists hold a high opinion of aesthetic Spirit full of vitality. They also point out that such a artistic world just consists in people' s daily life and even in the ordinary disregardful things. This phenomenon is much similar to Zen Buddhism too, in that the latter holds up that neither inspiration is mystery, nor wonderful comprehend is strange. They belong to the present moment and pass quickly. They are come from individual straight experiences, and they exist in people's daily life world as well.
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