解读福克纳短篇小说《干旱的九月》的复调性  

An Interpretation on the Polyphony of Faulkner's Short Story Dry September

作　　者：胡梦蝶[1] 黎会华[1] 王卫新[1] 

机构地区：[1]浙江师范大学外国语学院,浙江金华321004

出　　处：《温州职业技术学院学报》2009年第2期61-63,73,共4页Journal of Wenzhou Polytechnic

摘　　要：俄国学者巴赫金继承了形式主义的传统,提出了著名的"对话理论",肯定了具有多种声音的"复调式小说"。从巴赫金的"对话理论"视角的三个层面,即"限知视角"下的众人"对话"、共时话语中自我矛盾的"对话"和文本结构的"对话",重新解读福克纳短篇小说《干旱的九月》后得出:各部分之间的"对话"丰富了文本的内容,使整个故事充满了张力。Based on the tradition of Formalism, the Russian scholar M.M. Bakhtin puts forward his famous theory＂dialogism＂, which emphasizes the ＂polyphony novel＂, containing many kinds of resonance and dissonance voices. Applying this ＂dialogism＂ theory to Faulkner＇s short story Dry September, this paper tries to re-analyses it from the perspectives of the dialogue in the barbershop under the ＂limited perspective＂; one of self-contradiction in the synchronic discourse, and the one in the textual structure. In fact, these ＂dialogues＂ enrich the content, and strengthen the tension of the story.

关 键 词：福克纳 《干旱的九月》 巴赫金 对话 复调 

分 类 号：I106.4[文学—世界文学]