“文如其人”的认识误区与负面影响  

Wrong Cognitive Perspective of "The Style is the Man" and Its Negative Influence

作　　者：崔德香[1] 

机构地区：[1]汕头教育学院人文社科系,广东汕头515041

出　　处：《汕头大学学报（人文社会科学版）》2009年第3期10-14,共5页Journal of Shantou University(Humanities and Social Sciences Edition)

摘　　要："文如其人"观念在中国文艺理论的创作论、作品论、鉴赏论等方面都有着深刻的印迹。关于"文如其人",大体有两种代表性观点,一是强调作品思想内容与作者道德人格的一致,一是强调作品风格与作者气质性情的一致。这两种观点均无法揭示作品和创作的真正本质,均不能带来对作品和创作的更深入地理解。以道德人格或气质个性统一"文"和"人",既是束缚了"文"和"人",又是曲解了"文"和"人"。In such major fields of Chinese literary criticism as the theory of creation, the theory of writing, and the theory of appreciation, the recapitulative technical term 'The style is the man' has all extensive effects. As far as this academic term is concerned, there have been two major representative points of view: one focuses on the coherence between the thought and content of the writing and the morality and personality of the writer; the other focuses on the coherence between the style of the writing and the temperament and nature of the writer. Neither of the two points of view can reveal the genuine nature of the writing or the production. Therefore, integrating works with their authors by means of morality and personality or temperament and nature not only restricts the writing and the writer, but also misinterprets them.

关 键 词：“文如其人” 道德人格 气质个性 认识误区 负面影响 

分 类 号：I0[文学—文学理论]