王尔德童话:从感官解放到纵欲的嬗变  

The Fairy Tales of Oscar Wilde: Change from Liberation of Sensory to Sexual Indulgence

作　　者：董莉莉[1] 

机构地区：[1]合肥工业大学外国语言学院,合肥230009

出　　处：《合肥工业大学学报（社会科学版）》2009年第4期115-119,共5页Journal of Hefei University of Technology(Social Sciences)

摘　　要：受康德的审美无目的性主张影响,19世纪的童话创作与传统的说教型童话相比,更加注重美育。王尔德作为唯美主义的代表人物,力图在童话中充分体现文艺审美价值。但在消费社会的大环境下,其创作重心逐渐从感性愉悦转向生理快感。从故事中的人物形象、细节描写和语言风格三个角度进行考察,可以分析出他的审美感官化倾向。Influenced by Kant＇s advocation of aimless aesthetic appreciation, the fairy tales in 19th century focus more on aesthetic pleasures compared with those moral traditional instructive fairy tales. As a representative of aestheticism, Wilde originally guides his creation with aesthetic values. However, his creation shifts from aesthetic pleasures to physiological pleasures under the great circumstances of a consumption society. Judging from the images of characters, description of details and linguistic style, his inclination of sensuality is easily identified.

关 键 词：王尔德 童话 审美价值 审美感官化 

分 类 号：I106[文学—世界文学]