意派论:一个颠覆再现的理论(二)  

Theory of Idea Expressing: a Theory Over-throwing Representative Theory Ⅱ

作　　者：高名潞[1] 

机构地区：[1]四川美术学院美术学系,重庆630000

出　　处：《南京艺术学院学报（美术与设计）》2009年第4期1-12,共12页Journal of Nanjing Arts Institute:Fine Arts & Design

基　　金：教育部人文社会科学规划基金项目(07JA760001)

摘　　要：本篇是高名潞《意派论》的第二部分"‘意派’不是再现的美学";在这一部分里,作者着重讨论建立在艺术"再现"基础上的西方艺术史和批评理论的局限性,并从哲学和美学的角度讨论再现理论的悖论。This thesis is the second part of Gao Minglu’s writing Theory of Idea Expressing. It is separately about that ‘idea expressing’ is not representative aesthetics. In the second part, the author discusses especially about the limitation of western art history and critical theory which were on the basis of art ‘representation’, and about the paradox of the representation theory from the aspects of philosophy and aesthetics.

关 键 词：意派 意派论 颠覆再现 

分 类 号：J0-03[艺术—艺术理论]