南宋浙派谱系的形成及其文化内涵  

Formation of Zhejiang School and Its Cultural Implications in Southern Song Dynasty

作　　者：郑祖襄[1] 

机构地区：[1]杭州师范大学音乐学院,杭州300012

出　　处：《文化艺术研究》2009年第1期109-115,共7页Studies in Culture and Art

摘　　要：南宋"浙派"的产生在于郭沔一方面继承了两浙的琴艺,另一方面整理了以韩胄、张岩为主的华夏传统古谱,融会贯通,创立了以传统琴谱、传统演奏为主的"浙派",在琴史上产生了深远的影响。"浙派"的形成,是宋朝南渡以后华夏文化移植、与南方文化融合发展的结果。The formation of Zhejiang School in the southern Song Dynasty lies in two aspects：first, Guo Mian succeeded the Zhejiang techniques, second, some ancient music notes were collected and edited mainly by Han Tuozhou and Zhangyan. Based on the traditional music notes and traditional playing techniques, Zhejiang school was formed, which produced profound influence in the history of Guqin. Its formationis the result of cultural transplantation and blending with culture in southern China after the Song Dynasty moved to the south.

关 键 词：浙派 郭沔 紫霞洞谱 杨缵 徐天民 袁桷 

分 类 号：J613.4[艺术—音乐]