从结构主义解析先秦艺术  

Analyzing Early-Qin-Dynasty Art from Structuralism

作　　者：余志鸿[1] 

机构地区：[1]上海大学影视艺术技术学院,上海200444

出　　处：《艺术百家》2009年第5期126-132,共7页Hundred Schools In Arts

基　　金：国家"211工程"三期"艺术学理论创新与应用研究"项目阶段性成果之一

摘　　要：上古原始艺术是古人用来寄托精神生活和美化物质生活的一个重要方面。随着生产力的提高,审美观念的继承,便规定了艺术发展的延续性、继承性和创造性。发展到春秋战国乃至秦代,既更加丰富多彩,也更趋于成熟,并对后代的艺术倾向有着重大影响。秦代艺术跟历史上的任何一个时代一样,体现在美上。从岩画艺术粗旷的野性美,到装饰艺术豪华的精致美,到雕塑艺术雄奇的写实美,到书法艺术的规整美,正是深深扎根于中华民族传统文化的自然美和受益于秦王朝强大辉煌的时代美相结合的综合美、结构美的反映。每一种艺术品类,从结构主义解析,我们都能体会到立足于文本分析的神韵,处于秦这个特殊时代的语境,在王权威严和强制性权力作用下的话题,使每个艺术符号具有极其强烈的个性支持下的组合力量和磅礴气势。本文分析了这一时期艺术的风格、特点,并进行了结构解析。Antediluvian primitive art is an important aspect for ancient people to rest spiritual life and to beautify material life. With the improvement of productivity, the development of aesthetic ideas determines the continuity, hereditability and creativity of art. Till the Spring and Autumn Period, the Warring States Period and the Qin Dynasty, it becomes more colorful and more mature, exerting significant influence upon the artistic tendency of later dynasties. Qin - Dynasty art, as any time in history, manifests itself in beauty. From the wild beauty of the rock painting art to the delicate beauty of the decoration art, to the realistic beauty of the sculpture art, to the orderly beauty of the calligraphy art, it is the reflection of the comprehensive beauty and structure beauty which combine the natural beauty with its root in traditional Chinese culture and the time beauty benefiting from the prosperity of the Qin Dynasty. If we analyze each art form from structuralism, we may feel the aura based on textual analysis. It is in the context of the special Qin Dynasty and under the influence of royal majesty and compelling force that every art code is provided with great force and power with strong individuality. The present article analyzes the style and characteristics of art in this period and interpretes its structure.

关 键 词：艺术学 先秦艺术 艺术史论 结构主义 解析 审美 

分 类 号：J110.99[艺术—艺术理论]