艺术学的建构与整合——近百年来的西方艺术学理论与方法及其与中国艺术史研究  

Construction and Integration of Artistics:Theory and Methodology of Western Artistics and Chinese Art History Study

作　　者：常宁生[1] 

机构地区：[1]南京艺术学院美术学院,江苏南京210013

出　　处：《艺术百家》2009年第5期147-154,共8页Hundred Schools In Arts

基　　金：全国艺术科学规划"十五"项目"当代艺术学的理论与方法"阶段性成果;国家"211工程"三期"艺术学理论创新与应用研究"项目阶段性成果;江苏省教育厅人文社会科学"十五"规划项目"艺术史学的历史及理论"阶段性成果之一

摘　　要：长期以来,西方艺术史学理论与方法体系能否与中国古代画学传统有机的结合一直是一个有争议的话题。在比较和分析近百年来中国艺术学学科发展和形成的过程中西方学术体系对中国艺术史研究的影响,考察中国传统画学理论向现代艺术学的转型过程和不同阶段所出现的问题,以及西方学术话语体系与中国学术传统的交往与冲突中所出现的一些现象和问题以后,作者指出艺术史研究必须走出并超越中西二元对立的迷障,完成中国艺术史学科现代形态的转化与整合。Over the years, whether the theory and methodology of Western artistics can be combined with Chinese ancient painting tradition is always a controversial topic. The present article studies the influence of Chinese and Western academic system upon the development and formation of Chinese artistics over 100 years, the transformation process from traditional Chinese painting theory to modern artistics and the problems in different stages, and some phenomenon and problems in the communication and conflict between Western academic system and Chinese academic tradition. On the basis of comparison and contrast, the author points out that art history study must go beyond the binary opposite of the east and the west and complete the transformation and integration of the modern form of Chinese art history.

关 键 词：近百年 画学 艺术史学 发展 方法论 艺术学 建构 整合 

分 类 号：J110.9[艺术—艺术理论]