试论蔡邕的文学思想  

On Cai Yong`s Litera Thought

作　　者：段莲[1] 

机构地区：[1]琼州学院中文系,海南五指山572200

出　　处：《漳州师范学院学报（哲学社会科学版）》2009年第3期79-83,共5页Journal of Zhangzhou Teachers College:Philosophy and Social Sciences

摘　　要：蔡邕是东汉末的文学家,他对秦汉时期的部分文体进行了归纳、总结,这不仅反映出他重视政治、教化的文学思想,还表明他对文学自身规律、特征的有意识探讨,这也正是向文学自身回归的关键。他认为书画辞赋的功能是抒情、娱乐、审美的,这一思想又鲜明地反映在他的创作实践中。由此可知蔡邕的文学思想上承两汉下开魏晋,既预示着新的方向,又显示了正统儒学的强大惯性。Cai Yong,living in the late Eastern Han Dynasty,was a known literateur in the age of the transition from the old to the new.He summed up literary forms in the Oin and Han Dynasties.This not only performanced his practical literary thought ,but also indicated his exploring to literary regularity.This is also a key point of literary rearming.He thought the functions of calligraphy and drawing were to express feelings and to entertain.This idea is reflected in his distinctie creative practice.So Cai Yong＇s literary ideology carried forward a new paragraph from the Han Dynasty to the Jin Dynasty, indieateing a new direction,and showing a strong inertia of Confucian orthodoxy.

关 键 词：蔡邕 文学思想 教化 缘情 华美 

分 类 号：I206.2[文学—中国文学]