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作 者:傅松雪[1]
机构地区:[1]山东大学文艺美学研究中心,山东济南250100
出 处:《烟台大学学报(哲学社会科学版)》2009年第4期53-57,共5页Journal of Yantai University(Philosophy and Social Science Edition)
摘 要:"生存论路向"表达了当代美学的理论自觉。在对"认识论传统"的"反叛"中,生态美学成为美学自身突破传统认识论束缚,实现由"认识论传统"到"生存论路向"变迁的美学尝试。生态美学摧毁了"实体存在论",开显了"生存论存在论"。只有在生存论存在论的视野中,生态美学的现实尺度、超越品格以及人文关怀等才能够达到真正的理解与沟通,克服长期以来传统认识论主客二分的思维模式。在生存论存在论的追思中考察、构建生态美学,显露生态美学存在的源始状态,以纠正在传统认识论思维定势中的一些偏见与误解,方是当前生态美学研究的重点与难点。"Existential direction" represents the theoretical consciousness of modern aesthetics. In the course of "existential direction" rebelling against traditional philosophy, ecological aesthetics appears accompanied with representations as transcending traditional epistemological - way, turning on existential - way, destroying "entity ontology", and showing "existential ontology". Only in the view of the "existential ontology", the practical character, extramundane character and the human care could be able to achieve real understanding and communication. Moreover, the deeper study of the "existential ontology" will help ecological aesthetics to break -through the thinking modes of binary opposition of subject and object, to unfold the original, correct the bias and misunderstanding of the traditional epistemology. This is the emphasis on and difficulty for the research of Ecological Aesthetics.
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