中国当代美学发展出路献芹——从实践、后实践美学之争谈起  

Proposal on the Development of Contemporary Chinese Aesthetics——Discussing from the Dispute between the Practical Aesthetics and Post-practical Aesthetics

作　　者：李占伟[1] 

机构地区：[1]山东师范大学文学院,山东济南250014

出　　处：《湖南文理学院学报（社会科学版）》2009年第5期21-26,74,共7页Journal of Hunan University of Arts and Science:Social Science Edition

摘　　要：中国美学历史进程中的实践、后实践美学之争虽然在当代美学发展过程中起到了一定的积极作用,但也暴露了一系列的诸如"沿门持钵"、"非此即彼"、"简单还原"等问题与缺陷。认真梳理与反思这些缺陷与不足,并努力运用复杂性思维方式重新认识与考量中国当代美学,对于建构一种开放的、多元的、民主的、联系实际的、返回常识的、主在关系生成的美学是十分必要的。The dispute between the practical aesthetics and post -practical aesthetics playes a positive role in the development of contemporary Chinese aesthetics. However, it also exposes many problems and deficiencies. Sorting out and thinking about carefully these problems and deficiencies and trying to use the complexity thinking to give a new understanding of contemporary Chinese aesthetics is necessary to construct an open, pluralistic, democratic, practical aesthetics.

关 键 词：美学 实践 主客二分 复杂性思维 

分 类 号：B83-02[哲学宗教—美学]