唐代诗僧皎然对茶道美学的贡献  

Contributions of Monk Poet Jiaoran on Teatao Aesthetics

作　　者：朱海燕[1,2] 王秀萍[2,3] 刘仲华[1,2] 

机构地区：[1]湖南农业大学园艺园林学院茶学系,湖南长沙410128 [2]湖南农业大学教育部茶学省部共建重点实验室,湖南长沙410128 [3]福建省农科院茶叶研究所,福建福安355015

出　　处：《湖南农业大学学报（社会科学版）》2009年第5期96-99,共4页Journal of Hunan Agricultural University(Social Sciences)

基　　金：湖南省重大科技专项(2005NK1003)

摘　　要：通过对唐代诗僧皎然诗文中体现的茶美学思想的梳理,深入剖析了其对品茶境界的审美探索。皎然开创性地以茶悟"道",以"道"论茶;他将僧家的"忘忧"、道家的"成仙"、儒家的"善身"之道与茶的"清心"融于一体,悟得"茶道"之境界,由此演生出中国茶道美学的基础;皎然对静幽的品饮环境、空灵的心境,以及"忘忧"、"若仙"意境的审美追求泽被深远。In this article aesthetics exploration of the monk poet named Jiaoran in Tang Dynasty on artistic conceptions of appreciating tea is profoundly analyzed, through carding his tea aesthetics ideologies implied in his poems. To sum up, firstly, he originally realized ＂tao＂ with tea and and mentioned ＂tea tao＂ in his poem; Secondly, his integration with evasion of Buddhism, the taoistic achieving immortality, morality cultivation of Confucian and cleanness of tea to realize artistic conceptions of＂Tea Tao＂ lays a foundation of China Tea Tao aesthetics; Thirdly, his aesthetics pursuit ofloneness environments, elusive mood states, evasive and immortal artistic conceptions has far-reaching influence on the posterity, so he is a genuinely superstar and founder of China Tea aesthetics during the course of development of tea culture.

关 键 词：茶诗 茶道 审美 品茶境界 皎然 

分 类 号：I207.209[文学—中国文学]