后现代语境下“我”的身份之谜  

A Study of the First Person Narration in the Postmodern Context

作　　者：曾斌[1] 陈志华[2] 

机构地区：[1]南开大学文学院,天津300071 [2]江西师范大学文学院,江西南昌330022

出　　处：《长江师范学院学报》2009年第6期76-81,共6页Journal of Yangtze Normal University

基　　金：2009年江西省高校人文社科项目(编号:WGW0903);江西师范大学博士启动基金项目(编号:2487)

摘　　要：在后现代语境下,作家越来越多的使用第一人称叙述,文本的意义也越来越依靠文本与读者动态交流过程来呈现。论文以卡尔维诺叙事作品为例,主要通过聚焦于卡尔维诺小说叙事人称,分析第一人称"我"视角越界,作为超越体验的创造者等等身份,进而揭开叙事作品中第一人称"我"的身份迷团;展示后现代语境下文本的虚幻本质与表达欲望;并从叙述个性化、强化艺术感染力,叙述功能的自我完善等方面来探索第一人称的叙事效果。In the postmodem context, the first person naration is employed by more and more writers, and the meaning of text is getting increasingly dependent on the dynamic interaction between text and reader. Taking the Calvino＇ s works as an example, this article, by focusing on the narrative techniques in his novel, attempts to analyze the identity of first person as experience creator, uncover the mystery of the first person narration in literary works, disclose the imaginary essence and the expressing desire in the postmodem context. Additionally, the writer of the article explores the effects of first person narration from the aspects of individualistic narration, affectivity reinforcement, and perfection of narrative functions etc.

关 键 词：第一人称 视角越界 多重指涉 叙事效果 

分 类 号：I06[文学—文学理论]