21世纪初年台湾女性小说的文化描述  

Cultural Description on Taiwan's Feminine Novels of the Early 21st Century

作　　者：王宇[1] 

机构地区：[1]厦门大学中文系,福建厦门361005

出　　处：《厦门大学学报（哲学社会科学版）》2009年第6期64-71,共8页Journal of Xiamen University(A Bimonthly for Studies in Arts & Social Sciences)

基　　金：2007年国家社科基金项目"台湾女性文学史"(07BZW055);2008福建省社科基金项目"现代性与被叙述的乡村女性"(2008B074)

摘　　要：21世纪初年的台湾女性小说呈现出与20世纪90年代不太相同的面貌,总体而言,女性主义的议题少了20世纪90年代激昂尖锐的泛政治化倾向,转向更本色、更纯粹探究女性复杂深幽的自我及其与这个世界错综复杂的关系。这方面最具代表性的是苏伟贞的《日历日历挂在墙上》和朱天文的《巫言》。即便像施叔青《台湾三部曲》这样涉及台湾历史沧桑、政治风云的长篇巨制,也更多地以女性主义历史观呈现庶民百姓日常性中琐碎、常态的历史。Taiwan＇s feminine novels of the early 21st century show some difference from those in the 1990＇s. Generally speaking,the feminist topic lessens greatly and sharply politicized orientation turns to more simple and more unadulterated exploring on feminine self or the relationship between feminine self and the world. The most representative in this regard is ＂Calendar Calendar Hanging on the Wall＂ ,by Su Weizhen ,and Witches＇Speech,by Zhu Tianwen. Even the Trilogy of Taiwan,by Shi Shuqing （the first and second of the trilogy have been published ）,which concerns Taiwan history,still shows the state of the routine life of the common people with the feminine historical view.aily life ationship between

关 键 词：21世纪初 台湾女性小说 自我探寻 日常性 

分 类 号：I207.4[文学—中国文学]