浅谈朱有燉杂剧的音乐体制  

Research on the Music System of Zhu Youdun's Drama

作　　者：郑莉[1] 

机构地区：[1]河北省张家口教育学院中文系,河北张家口075000

出　　处：《新疆艺术学院学报》2009年第4期30-34,共5页Journal of Xinjiang Arts University

摘　　要：朱有燉是明初杂剧第一大家,现存作品31部,他的作品除了对元杂剧的忠实继承外,在体制方面也进行了有益的创新。继承与创新的结合,造就了他杂剧艺术的成功,也促进了明初宫廷杂剧的繁荣。其对杂剧体制的创新,除了剧本体制之外,还表现在音乐体制上,主要表现为曲牌曲调的使用和唱法的创新两方面。Zhu Youdun was the most important writer of the drama in the early period of Ming Dynasty. In addition to a loyal successor to the drama of the Yuan Dynasty, a useful innovation in the system could be seen in his existing 31 works. The combination of inheritance and innovation had resulted in his artistic success of his drama as well as the prosperity of the court dramas of the early Ming Dynasty. Apart from the innovation in his script system, he also put an analysis to the music system, in which the use of the tune and the innovation of the singing method were obvious.

关 键 词：朱有燉 宫廷杂剧 体制创新 曲牌曲调 唱法 

分 类 号：I207.3[文学—中国文学]