略谈《活着》的编剧观  

Some Remarks on Playwright’s Outlook of Living

作　　者：邱美煊[1] 高洁[2] 

机构地区：[1]龙岩学院,福建龙岩364012 [2]福建师范大学,福建福州350108

出　　处：《龙岩学院学报》2009年第6期48-51,60,共5页Journal of Longyan University

摘　　要：张艺谋将余华小说《活着》改编成电影后,在时空设置、思想主题、叙事视角、审美风格方面等都发生了巨大的变化,为许多评论家所诟病——论者多过于追求"文学性"的统一。而从电影与小说二者之间传播介质的区别、表现方式的差异、接受群体的不同等方面论证,张导的改编具有充分的合理性。Zhang Yimou, a famouse Chinese movie director, changed his space-time arrangement, theme, aspects of narration and aesthetic style of creating a film after the adaptation of Yuhua＇ s novel Living. His change is castigated by many critics for his films do not meet literariness unification. The thesis is supposed to prove the rationality of Zhang Yimou＇s adaptation by distinguishing the communication media between movie and novel, manifestation modes, receptive communities.

关 键 词：《活着》 改编 叙事视点 情节设计 喜剧手法 

分 类 号：J905[艺术—电影电视艺术]