原生态艺术资源与“鄂西生态旅游圈”构建——以清江流域为例  

Primitive Art Resources and the Construction of the "Ecological Tourist Zone in West Hubei":Qingjiang River Basin as an Example

作　　者：曹毅[1] 田赤 

机构地区：[1]湖北民族学院南方少数民族研究中心,湖北恩施445000 [2]利川电视台,湖北利川445400

出　　处：《艺术百家》2009年第6期151-155,236,共6页Hundred Schools In Arts

基　　金：湖北省教育厅2009年度人文社会科学研究重点项目(项目编号:09D021)阶段性成果;湖北民族学院南方少数民族研究中心2008年度招标课题"清江流域土家族歌谣研究"(项目编号:08ZX05)阶段性成果之一

摘　　要：传统原生态艺术是一个地域及其民族的"精神植被",对外地旅游者具有极大的吸引力。因此,传统原生态艺术如何转型为旅游产品,是当前的一个热点。本文从资源生态学的视角,对清江流域的传统原生艺术进行考察分析,认为它们具有很强的区域性、审美性、群众性和影响性,不仅是清江流域重要的旅游资源,也是加快构建"鄂西生态旅游圈"、促进民族区域旅游产业化运用模式的丰富资源。Traditional primitive art is the ＂ spiritual vegetation＂ of an area and nationality with great attraction to the tourists. Therefore, how to change traditional primitive art into tourist product is a hot spot at present. From the perspective of resource ecology, the present article studies the traditional primitive art of the Qingjiang River Basin and believes that the art has strong characteristics of locality, aestheticism, popularity and influence, which is not only the important tourist resources of the Qingjiang River Basin, but also the rich resources to accelerate the construction of the ＂ Ecological Tourist Zone in West Hubei＂ and to stimulate the industrialization of local tourism.

关 键 词：生态艺术 艺术资源 旅游模式 艺术产业 清江流域 生态旅游 

分 类 号：J026[艺术—艺术理论]