魏晋维摩诘说及其艺术精神解析  

Interpreting Vimalakirtti-nirdesa of the Wei and Jin Dynasties

作　　者：高金玉[1] 

机构地区：[1]盐城师范学院美术学院,江苏盐城224002

出　　处：《艺术百家》2009年第6期208-211,207,共5页Hundred Schools In Arts

摘　　要：魏晋时期,佛教为在中国生存,选择了与玄学相融合的道路,一种特殊的居士佛教由此而出现,相应的经书《维摩诘经》流行一时。本文通过对维摩诘其人的介绍、对此经书思想的剖析以及对《维摩诘像》的理解,透视其艺术精神及对当时社会生活的影响。In Wei and jing dynasties, Buddhism chose the way together with metaphysics for the purpose of exisisting in china. As a result, a special hermit Buddhism appeared and the relevant book weimojijing become popular in a short period. This thesis depicts its influence on social life at that time through introduction of weimoji, analysis of book weimojijing as well as the understanding of weimoji portrait.

关 键 词：魏晋 中国美术史 维摩诘 《维摩诘经》 《维摩诘像》 佛教文化 艺术精神 

分 类 号：J20-02[艺术—美术]