欲望美学文论与当代中国文论建设——仿象理论的“超现实”和“超真实”的片面化  

Desire Aesthetics Literary Theory and Construction of Contemporary Literary Theory of China

作　　者：张玉能[1] 

机构地区：[1]华中师范大学文学院,武汉430079

出　　处：《江汉大学学报（人文科学版）》2010年第1期56-60,共5页Journal of Wuhan Institute of Education

基　　金：2006年教育部人文社会科学研究项目"后现代主义思潮与中国当代文论建设"(06JA75011-44015)

摘　　要：法国思想家鲍德里亚对后现代社会的性质——消费社会的研究,揭示了消费社会的文学艺术变成了纯粹的符号再生产,以大众媒介为手段消费社会成为了一个仿象的"超现实"社会,提出了非常现实的消费文化的理论问题和人类消费欲望化的现实问题,给我们建构中国特色当代文论提供了一个参照系:我们的中国当代文论应该关注日常生活的消费问题、消费欲望化问题,引导大众文化健康发展,以真正实现日常生活审美化,防止日常生活的欲望化。French thinker Baudrillard＇ s research on the nature of postmodernist society consumption society shows that art and literature of the consumption society become pure symbol reproduction, and consumption society becomes a simulated hyperreal society by mass media, advancing the very realistic consumption cultural theoretical problem and that of human consumption desire. It provides a reference frame for us to construct Chinese-featured contemporary literary theory, which should pay close attention to consumption problem of daily life, and the problem of consumption desire to enasle mass culture to develop healthily, in order to guard against desirousness in daily life and effect the true aestheticalization in life.

关 键 词：欲望美学 消费社会 符号再生产 仿象 消费文化论 

分 类 号：B83-05[哲学宗教—美学] I01[文学—文学理论]