图像增殖与戏剧审美的重构  

Image Breeding and Reconstruction of Aesthestics of Drama

作　　者：张邦卫[1] 

机构地区：[1]浙江传媒学院新闻与文化传播学院,浙江杭州310018

出　　处：《武汉理工大学学报（社会科学版）》2010年第1期43-46,共4页Journal of Wuhan University of Technology:Social Sciences Edition

基　　金：教育部人文社会科学青年项目"现代传媒与新世纪文学的转型研究"(07JC751019);浙江省社科联研究项目"媒体化语境下新世纪文学的转型研究"(2009N31);湖南省教育厅优秀青年项目"传媒视野下新世纪文学的价值体系研究"(08B002)

摘　　要：在后现代文化语境下,图像转向诱发感觉美学的狂欢,图像增殖导致"戏剧失魂",即文学性的缺失,文学性让位于表演性,剧场以"秀场"的形式成为戏剧审美场域的掌控者,"演"与"看"成为图像社会的审美倾向。戏剧审美在完成语言艺术的范式主型向图像艺术的范式主型的后现代转型后,必然会肯定一种新的美学话语,即非超越的、消费性的日常生活活动的美学合法性。戏剧审美必将在戏剧因时顺变的过程中完成自己的重组与重构。Because of post-modern culture context,the turn of image has led to the revelling of sense pereeption＇s aesthetics, image breeding has caused the loss of spirit in drama. That＇s to say,it is the lack of literaturity that the performity has taken the place of literaturity,theatre has become the controlor by showing place. The performing and the seeing have become the aethestic tendency. Having fulfilled the change from language to image , drama＇s aethesties would affirm a new aethestic thinking that it is the aethestic legitimacy of un-exceedity and consumity about the everyday life. Drama＇s aethestic would finish the reconstruction by changing and devoloping.

关 键 词：图像增殖 戏剧 戏剧审美 重构 

分 类 号：I01[文学—文学理论]