现象学的主体间性与德国文学思想  

Intersubjectivity of Phenomenology and German Literal Thoughts

作　　者：张玉能[1] 

机构地区：[1]华中师范大学文学院文学批评学中心,湖北武汉430079

出　　处：《武汉理工大学学报（社会科学版）》2010年第1期125-132,共8页Journal of Wuhan University of Technology:Social Sciences Edition

基　　金：教育部人文社会科学重点研究基地重大课题项目"20世纪德国文学思想史研究"(05JJD750.11-44207)

摘　　要：主体间性是胡塞尔的现象学的一个创新的概念,它是为了克服现象学的本质还原方法可能造成的主观主义弊端,以保证人的认识的客观普遍有效性,具有唯心主义实质。以主体间性来审视文学艺术的创作和欣赏,却可以打破主客对立的思维方法,充分揭示文学艺术创作和欣赏活动的对话性质和交流特征,使得文学艺术作品的意义具有开放性和不确定性,打破了相反传统文学思想的封闭性和固定性。但是,主体间性也使得文学艺术思想走向了后现代主义的虚无主义。Intersubjectivity is a creative concept of Husserl＇s Phenomenology. It is for getting rid of the subjectivist problem that Phenomenology eidetic reduction method may cause in order to ensure objective universal validity and has idealism essence. Observing the creation and appreciating of literature and art from intersubjectivity can break the thinking method of subjective--objective contradiction and reveal fully the conversational nature and exchangeable characteristics of activity of literal and artistic creation and appreciation. It makes literal and artistic works have open and uncertain and break closing and fixing of traditional literal thoughts. But intersubjectivity has made literal and artistic thoughts move towards nihilism of postmodernism.

关 键 词：现象学 主体间性 文学思想 

分 类 号：I01[文学—文学理论]