蒙古族民间传统歌唱形式的审美探析  

Aesthetic Analysis of Mongolian Traditional Folk Song Singing Forms

作　　者：萨日娜[1] 敖敦其木格[2] 

机构地区：[1]内蒙古大学艺术学院,内蒙古呼和浩特010010 [2]内蒙古广播电视大学,内蒙古呼和浩特010010

出　　处：《内蒙古大学艺术学院学报》2009年第4期32-36,共5页Journal of Art College of Inner Mongolia University

基　　金："全国艺术科学‘十五’规划2005年度西部课题"的"蒙古族传统歌唱艺术研究"(项目号:05ID161)阶段性成果

摘　　要：蒙古族民间传统歌唱形式主要包括独唱、齐唱、合唱、对唱、轮唱、说唱等。虽各具特色,但总体上都反映了蒙古民族共同的精神特质和审美情趣。这些歌唱形式不仅体现了蒙古族音乐的民族风格、地域特色,而且是以民众的情感为基础,用最质朴、最纯净的歌声以及歌声的组合形式来表现蒙古民族对自然、生命、美好事物的礼赞以及对邪恶的鞭挞,体现了蒙古民族的审美趣味和价值取向。Mongolian traditional folk song singing forms includes solo, unison, chorus, antiphonal singing, round singing and rap, etc. With different features, they generally reflect the common spiritual nature and aesthetic taste of Mongolia people. These singing forms not only reflect the national style, geographical features of Mongolian music, hut also are based on people＇s emotions to express the praising of nature, life, good things of Mongolian peoples of, praise, and the lashing of evils, which embodies the aesthetic taste and values of Mongolian people.

关 键 词：蒙古族 传统歌唱形式 独唱 齐唱 对唱 轮唱 说唱 审美 

分 类 号：J607.[艺术—音乐]