《聊斋志异》中服饰色彩的文化研究  

The Cultural Study on the Colors of Clothes in"Liao Zhai Zhi Yi"

作　　者：冯军[1] 

机构地区：[1]山东大学 文学与新闻传播学院,山东济南250100

出　　处：《临沂师范学院学报》2010年第1期63-67,共5页Journal of Linyi Teachers' College

基　　金：安徽省高校青年教师资助计划项目(2008jqw083)

摘　　要：蒲松龄对服饰色彩有着敏锐的感知与自觉,在《聊斋》中他表达了对色彩的深刻理解,并在这种理解中容纳了心理学、民俗学、美学、文化学等方面的知识,赋予了人物服饰色彩理智与观念的象征意义,揭示了不同的颜色进行服饰搭配的和谐感与节奏感,彰显了他的审美准则与审美价值取向。蒲松龄以其独特的时尚审美观传达了丰富色彩背后的价值与意蕴,拓展了人们对色彩与美的视域。Pu Songling had a keen sense of perception and consciousness of the beauty of colors. In ＂Liao Zhai Zhi Yi＂, he showed a deep understanding of the colors of clothes, which contains the knowledge of psychology, folklore, aesthetics and culturology and gave the colors of characters＇ clothes a symbolic significance of both reason and concept. He was also good at using different colors match to achieve a sense of color harmony and rhythm, which demonstrated his aesthetic criteria and value orientation. With his unique fashionable aesthetic standard, Pu Songling conveyed the values and meanings of abundant colors and widened people＇s view of colors and beauty.

关 键 词：聊斋志异 服饰色彩 象征 搭配 审美 

分 类 号：I207.41[文学—中国文学]