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作 者:曲向红[1]
机构地区:[1]山东财政学院人文艺术学院
出 处:《山东大学学报(哲学社会科学版)》2010年第2期152-156,共5页Journal of Shandong University(Philosophy and Social Sciences)
基 金:山东财政学院博士科研启动资金资助
摘 要:当词学研究者指出宋词发展不断向诗文学习,表现出以诗为词、以文为词的倾向时,他们所指的只是文人雅词。俗词虽然与雅词同属于抒情性文体,但在发展过程中却与叙事性俗文学样式民间说话等保持着亲近关系,并从中汲取营养,因此对于宋词尤其是俗词而言,以民间说话为词才是对其发展倾向的恰当概括。这主要从叙事、虚构以及俳谐手法等的学习上可见一斑。如果我们的研究仍然忽视俗词,不能打破对俗的偏见,那么就会忽略词坛半边的风景,更无法从整体上对宋词发展予以通观。When researchers of Ci Poetry point out that Song Ci Poetry learned from poetry and prose and had the tendency to become more like the two, what they are talking about is elegant Ci Poetry. Although vulgar Ci poetry also falls into the category of lyrics, they have kept a close relationship with the vulgar literature story-telling and learned from it. Therefore, it is more appropriate to say that Song Ci Poetry, with vulgar Ci Poetry in particu- lar, has the tendency to take story-telling as Ci Poetry. The tendency is most evident in the use of artistic means such as narration, fiction and humor. If researches continue to overlook the existence of vulgar Ci Poetry and do not break up with the prejudice on vulgar Ci Poetry, we will lose half of the value of Ci Poetry and thus fail to make a complete study of Song Ci Poetry.
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