梁宗岱与瓦莱里的纯诗理论比较  

A Comparative Study of Pure Poetry Theory Between Liang Zongdai and Valery

作　　者：王波[1] 

机构地区：[1]西南大学中国新诗研究所,重庆400715

出　　处：《重庆三峡学院学报》2010年第1期85-87,123,共4页Journal of Chongqing Three Gorges University

摘　　要：梁宗岱的纯诗理论受瓦莱里纯诗理论的影响,都要求一种具有音乐性的纯粹语言,表现一种超越功利性和现实性并具有超验色彩的审美境界。瓦莱里继承西方自柏拉图——黑格尔以来的理性主义传统,试图通过抽象思维来寻找纯粹语言表现与之对等的理念世界。然而,这种与纯粹理念世界对等的纯粹语言并不存在。梁宗岱借鉴了庄子"内省"的方式,提出纯诗的写作要通过诗人的"冥想出神",并且举出中外大量纯诗的例子说明纯诗的写作是可能的。Liang Zongdai＇s pure poetry theory has been influenced by that of Valery＇s, which requires pure languages with musical traits （mucialized pure language） and transcendental aestheticism beyond utilitarianism and reality. Valery inherited the rationalism from Plato and Hegel, seeking to find out, through abstract thinking, an idea world equals with that of pure language. However, there is no such a kind of pure language. Liang borrowed from Chuang Tzu＇s meditative way, putting forward that poets need meditation in poetry composition. Many examples were also given to illustrate that the writing of pure poetry was possible.

关 键 词：纯诗 情感和观念 音乐化 冥想出神与抽象思维 可能与不可能 

分 类 号：I052[文学—文学理论]