论文学作为审美意识形态——当下语境中的文学本质  

Literature as Aesthetic-Ideology——On the Nature of Literature in the Current Context

作　　者：郑伟[1] 

机构地区：[1]山西大学文学院,山西太原030006

出　　处：《山西大学学报（哲学社会科学版）》2010年第2期59-62,共4页Journal of Shanxi University(Philosophy and Social Science Edition)

基　　金：山西大学博士科研基金

摘　　要：在大众文化泛滥,文学边界扩张的文化环境中,"审美意识形态"论成为一个备受争议的话题。文章剖析了马克思、恩格斯著作中意识形态与"两个尺度"的内涵,认为"审美意识形态"论是符合马克思主义基本文学观念的。在当前语境下,马舍雷和伊格尔顿的文学生产理论为我们研究文学意识形态的存在方式提供了有益的启迪。另外,"审美意识形态"论既有它的历史针对性,也有其当下的现实关怀,我们应当充分理解这一论题所蕴含的人本主义的价值取向。In such cultural environment as the proliferation of popular literature and the expansion of lterature boundary, the aesthetic - ideology becomes a controversial topic. On the basis of the analysis of the meaning of ideology and ＂two scales＂ , this paper believes that this proposition is in line with the Marxist. In the current context, Macheret and Terry Eagletons＇ theory of literary production provides the useful enlightenment for our research on the existence of ideology in literature. In addition, the argument of ＂aesthetic - ideology＂ has not only historical relevance, but also the realistic concern, therefore, we should fully understand the humanistic values of the argument.

关 键 词：审美意识形态 大众文化 文学生产 人本主义 

分 类 号：I0-02[文学—文学理论]