意派论:一个颠覆再现的理论(四)  

Theory of Idea Expressing:a Theory Overthrowing Representative Theory Ⅲ

作　　者：高名潞[1] 

机构地区：[1]四川美术学院美术学系,重庆630000

出　　处：《南京艺术学院学报（美术与设计）》2010年第2期60-70,共11页Journal of Nanjing Arts Institute:Fine Arts & Design

摘　　要：本篇是高名潞《意派论》的第四部分"意派"论畅想与随笔。在这部分里,作者着重讨论了四个问题,即"象、观念和写实";"形而上、形而外和形而下";"海德格尔的此在、世界、器具与意派的理、识、形";"整一性不同于整体性";"理、识、形就是仪式性"。整个论述表明,作者对西方现当代艺术理论(艺术史和艺术批评)的反思,以及对如何转化中国传统美学的综合思考。诚如作者强调指出的"意派论"是一个复杂的课题,是跨文化批评的课题,甚至是建立一个新理论体系的课题。This thesis is the fourth part of Gao Minglu's writing Theory of Idea Expressing:Free Imagination and Casual Notes.In this part, the author discusses four questions:‘image, idea and painting realistically', ‘metaphysical, out-physical and physical', ‘Heidegger's Dasein, world and appliance & logic, knowledge and form of idea expressing', ‘the quality of the whole-one is different from integrity', and ‘logic, knowledge and form together is ritual'.The whole state shows the author's reflection on western modern and contemporary art theories(art history and art criticism), as well as his comprehensive thinking on how to transform traditional Chinese aesthetics.Thus, the author emphasizes that the ‘theory of idea expressing' is a complicated subject of cross-culture criticism, and even of founding a new theory system.

关 键 词：意派论 观念和写实 理识 仪式性 

分 类 号：J0-03[艺术—艺术理论]