从《废墟》看余秋雨散文动静态语境设置  

On How Dynamic and Static Contexts Construct in Chinese Prose by YU Qiuyu’s Fei Xu

作　　者：沈杏轩[1] 

机构地区：[1]福建师范大学文学院,福建福州350108

出　　处：《福建教育学院学报》2010年第1期96-98,共3页Journal of Fujian Institute of Education

摘　　要：文章从语境理论入手,以余秋雨的散文《废墟》为文本分析对象,探讨散文语篇中静态语境和动态语境的辩证关系,以及静态语境与动态语境在散文语篇中的互动建构。散文语篇中同样存在着语境适应论,散文语篇中的静态语境是一种背景语境,是一种具有普遍公共修辞经验的背景语境认知;散文语篇中的动态语境是一种临时语境,是作者根据个人修辞经验临时建构的隐喻认知。在一篇成功抒情的散文里,静态语境和动态语境互动地交织在语篇中,呈现出一种"你方唱罢我登场"的局面——静态语境通过动态语境得到展示,动态语境经由静态语境得到聚焦。Focusing on Fei Xu by Yu Qiu-yu, this paper analyses the features of the dialectical relationship between the static context and dynamic context and how they construct interactively in the Chinese prose. This analysis provides proof of context adaptation In the Chinese prose. In the Chinese prose, the static context is a back-ground context with background cognition of public rhetoric experience; the dynamic context is a temporary context with metaphorical cognition of individual rhetoric experience. In a successfully-written prose, the static context and the dynamic context interact with each other and construct the whole text. Static context is showed by dynamic con- text and dynamic context is focused by static context.

关 键 词：字典义 隐喻义 静态语境 动态语境 废墟 

分 类 号：I26[文学—中国文学]