元嘉诗歌新变背景下山水诗的赋法意识与实践  

On the Awareness and Practice of Using the Elaboration of Hanfu in Yuanjia Landscape Poetry in the Context of the Change in Yuanjia Poetry

作　　者：崔向荣[1] 魏中林[2] 

机构地区：[1]佛山科学技术学院中文系,广东佛山528000 [2]暨南大学文学院,广东广州510632

出　　处：《暨南学报（哲学社会科学版）》2010年第2期1-5,共5页Jinan Journal(Philosophy and Social Sciences)

基　　金：教育部人文社会科学规划项目<中国古典诗学的学问化问题研究>(批准号:06JA75011-44042);广东省哲学社会科学规划项目<中国古典诗学的学问化问题研究>(批准号:06J02)

摘　　要：元嘉诗歌的新变,是基于晋宋之际新自然观确立之后山水景物成为客观表现对象的特殊诗学背景。而作为"济变"的诗学要素,"文体宜兼"的自觉意识和大胆的赋法实践,不仅适应了山水题材体物图貌的艺术新追求,而且也深契于元嘉诗人积渐已久的"繁富"之才。The new change in YuanJia poetry is based on the special cultural background of the establishment in a new perspective of nature,and landscape has become the objective target.In response,the awareness and practice of using the elaboration of Hanfu(Han Dynasty Odes)in Yuanjia landscape poetry,not only to adapt to the new landscape theme of the pursuit of art,but also meet the extensive knowledge of YuanJia poets.

关 键 词：元嘉诗歌 山水诗 学问 济变 赋法 

分 类 号：I206.2[文学—中国文学]