契丹与蒙古族美术史研究现状分析  

Analysis on Present Situation of Khitan and Mongolian Art History Research

作　　者：乌力吉[1] 

机构地区：[1]内蒙古师范大学美术学院,内蒙古呼和浩特010022

出　　处：《南京艺术学院学报（美术与设计）》2010年第4期24-27,共4页Journal of Nanjing Arts Institute:Fine Arts & Design

摘　　要：我国是一个多民族国家,文化不但显现出各自浓厚的地区特色和民族特色又有相互交融的特点。研究契丹与蒙古族美术史,可以使我们从许多带有共同特征的内容方面观察北方游牧民族的绘画艺术与文化扩展研究视野,总结和发现中国古代北方草原各族在草原美术史发展中的内在联系,寻找其共性与特性内涵,拓展中国草原民族美术史研究的空间。China is a country with many nations,so the cultures of it have strong regional and national characters melting with one another. Researching on the Khitan and Mongolian art history,we can observe the painting art and cultures of nomads in the north from the contents that are with common characters,so as to broaden our vision,and find out the inner relationships of the nations living on the grassland in the north in ancient China in the development of their art history,and the commonness and specialty,so as to expand the space of research on art history of the nations living on the grassland in north China.

关 键 词：契丹 蒙古 美术史研究 现状 

分 类 号：J110.9[艺术—艺术理论]