松尾芭蕉文学中的庄子哲学  

On Zhuangzi's Thought in MatuOBaSyou's Literature

作　　者：林艳[1] 李庆申[2] 

机构地区：[1]赣南师范学院外国语学院,江西赣州341000 [2]赣南师范学院高职学院,江西赣州341000

出　　处：《赣南师范学院学报》2010年第4期95-97,共3页Journal of Gannan Teachers' College(Social Science(2))

基　　金：江西省高校人文社科项目(05JY0606)

摘　　要：松尾芭蕉是开创日本俳坛新风的巨匠,在构筑其独立独特的俳谐风格——蕉风的文学之旅中,深受日本古典文学与中国汉诗、汉文的影响。虽然处于不同国度、迥异的时代,但庄子对松尾芭蕉俳谐文学的精神世界影响却尤为深远。作为芭蕉俳谐思想根本的自然观、以及作为芭蕉文学体系完成标志的纪行文学中,都有庄子思想的闪现。芭蕉文学中的「旅」与庄子的"体道论"、芭蕉文学的"自然观"与庄子的"天人合一"的"天人论",芭蕉文学的"禅意"与庄子的"禅"、芭蕉文学的"生死观"与庄子的"生死观",都有着极尽相似的对理想境界的追求。Matsuo Basho,the famous Japanese artist/haiku master who brought in the new style to artist/haiku circle,was deeply influenced by both Japanese classical literature and Chinese poetry and written language during the course of building up his own typical artist/haiku case——Basho artist/haiku.Though living in a different country and a different age,Zhuang-zi＇s theory,in particular,had a far-reaching effect on the spiritual world of Basho＇s Artist/haiku literature.Zhuang-zi＇s ideas flashed from time to time in the basic natural view of Basho artist/haiku idea,as well as the Travel diary literature,which marked the accomplishment of the Basho literature system.It can easily be seen that Basho and Zhuang-zi shared the same ideal boundary in terms of human communication,objects,imperial sacrifices,life and death view,when comparing Basho＇s Travel with Zhuang-zi＇s The Ramble Tours,and Basho＇s Creation with Zhuang-zi＇s Heaven.

关 键 词：俳谐文学 天人论 禅 生死观 自然观 

分 类 号：I109.3[文学—世界文学]