重庆抗战时期书法发展的文化背景与原因  

Cultural Background and Inner Reason of the Development of Calligraphy in Chongqing during the Anti-Japanese Period

作　　者：姜贤俊[1] 

机构地区：[1]重庆大学艺术学院,重庆401331

出　　处：《艺术探索》2010年第4期14-15,共2页Arts Exploration

基　　金：2009年重庆大学艺术学院教育部人文社科规划项目"抗战时期陪都重庆书画艺术研究及数字化应用建设"(09YJA760054)

摘　　要：在"抗战文化"大背景的影响下,陪都重庆的书法艺术得到了当时政界要人和学界名流的共同提倡,尤其是到抗战后期,书法的发展形成高涨的局面。文章从重庆抗战时期的文化环境和人文因素角度着眼,解读书法艺术在陪都重庆逐步摆脱在民国前期所处的困境而得以不断发展的原因。As the temporary capital,Chongqing played a very important part in the creation of the anti-Japanese culture.Against the anti-Japanese background,the calligraphy art of the region had been promoted by the important men in the politic and academic circles.The development of calligraphy had been raised to a high level in the late period of anti-Japanese period.The thesis,from the perspectives of cultural environment and humanistic environment,analyzes the common and inner reason of continual development of calligraphy in Chongqing,aiming to have deep understanding and exploration so as to promote the research of calligraphy development in the grand back zone during anti-Japanese period.

关 键 词：抗战时期 重庆 书法艺术 文化背景 发展原因 

分 类 号：J120.9[艺术—艺术理论]