论安徒生童话的忧郁色彩  

The Melancholy Coloration of Andersen’s Fairy Tales

作　　者：王远年[1] 周旭艳[2] 

机构地区：[1]湖南科技学院新闻传播系,湖南永州425100 [2]华中师范大学继续教育学院,湖北武汉430079

出　　处：《中南林业科技大学学报（社会科学版）》2010年第4期86-89,共4页Journal of Central South University of Forestry & Technology（Social Sciences）

基　　金：2008年湖南省教育厅立项课题:"易卜生与挪威文学现代性研究"(编号:08C359)

摘　　要：安徒生的童话创作是他整个思想感情和人生经历的艺术结晶,他的经典童话呈现出浓厚的忧郁色彩。卑微的出身、失败的艺术追求、上流社会的歧视使安徒生饱尝人生的艰辛,使得他的童话弥漫在忧郁氛围当中,表现出浓重的忧郁情结。屡遭冷遇的爱情追求,近乎绝望的情感体悟,社会现实的黑暗残酷,激起了安徒生的强烈愤懑和无比悲痛。安徒生童话悲愤而不悲观,沉郁而不消极,散发出迷人的魅力,集中体现在其悲剧性童话人物形象身上不屈不挠的抗争精神。Andersen’s fairy tales are the crystallization of his emotional and life experiences through his whole life. His stories are full of melancholy flavor, which is due to the author’s hardships of humble background, unsuccessful artistic pursuit, and heartbreaking love affairs. And love and sympathy to labor masses, vehement hatred to the ruling class, and discernment to the grim society fill his works with strong melancholy sentiment. However, Andersen shows, in his works, his attitudes of depressed rather than negative, grief rather than pessimistic. The charm of his personalities is mainly expressed by the tragic characters with the indomitable spirit in his classic fairy tales.

关 键 词：安徒生童话 忧郁色彩 人生磨难 情感挫折 悲剧精神 

分 类 号：I058[文学—文学理论]