弥勒造像中的帝王化因素  

The Statue of Imperial Maitreya

作　　者：高金玉[1] 

机构地区：[1]盐城师范学院美术学院,江苏盐城224002

出　　处：《新疆艺术学院学报》2010年第3期36-39,共4页Journal of Xinjiang Arts University

摘　　要：我国传统文化中的帝王——圣君观念根深蒂固,尤其是魏晋南北朝的动荡社会使得人们对圣贤君主的企盼更为迫切。这种情绪与愿望落实到佛教的未来佛弥勒菩萨造像上,便形成了弥勒造像的兴盛。唐武周时期,弥陀净土信仰极为盛行。这既是时代潮流发展的必然趋势,也与武则天的扶持和政治利用有关。The Buddha statue culture, and saint king notion. , maitreya statuary rise in Especially the social unrest China, also generates the and southern and northern emperor of traditional dynasties made people more pressing for the monarch, the emotion and desire to carry out Buddhism future Buddha maitreya bodhisattva statues, and formed a statue of maitreya. TangWuZhou period, MiTuo pure faith was popular. Through sorting out and analyzing the land, Wu Zetian period of popular religion is an inexorable trend of the development of the trend of the Times, and the political and support of Wu.

关 键 词：弥勒 造像 帝王化 

分 类 号：J19[艺术—艺术理论]