沈德潜与其同调乔亿格调论诗学观的比较  

A comparative study of poetic concepts of styles by Shen Deqian and Qiao Yi

作　　者：王顺贵[1] 

机构地区：[1]上饶师范学院中文系,江西上饶334001

出　　处：《河北师范大学学报（哲学社会科学版）》2010年第5期66-70,共5页Journal of Hebei Normal University(Philosophy and Social Sciences)

基　　金：国家社会科学基金项目"中国古代文论承传研究"阶段性成果(项目编号:07czw001)

摘　　要：格调论发展至乾隆之时,已呈现出较为成熟的态势,沈德潜为格调论的集大成者,乔亿作为沈德潜的同调,与之桴鼓相应,声气相通。通过对两人格调论诗歌观念的比较、分析,可以发现二者的诗学观在强调诗歌政教功用、人格优于诗格、性情与音调、宗唐祧宋等方面具有较多的共同性,但也有些微的差异。这说明清代格调论的发展与完善经历了一个较为漫长的发展过程,它也昭示了一种诗学理论体系的完善既需要领袖人物的振臂一呼,也需要广树坛坫,有一批得力干将的支持。By the rule of Qianlong,style theory becomes mature,and Shen Deqian is known as the master,while Qiao Yi enjoys the same fame.This paper studies the two masters in relation to their poetic concepts and style theories,and concludes that despite difference,they both stress the function of poetry upon norms,virtue on poetic style,and equality of Tang and Song.This shows that the study of poetic style takes a lengthy process in Qing dynasty.

关 键 词：沈德潜 乔亿 格调论 人格为重 

分 类 号：I0-03[文学—文学理论]