无文字民族音乐文化传承的人文内涵——以甘肃文县白马藏族为例  

A Study on Local Inheritance of Musical Literature and it’s Social Culture Function——Taking the baima zang nationality in longnan as an example

作　　者：张益琴[1] 寇宁[1] 秦亚洁[1] 

机构地区：[1]陇南师范高等专科学校音乐系,甘肃成县742500

出　　处：《甘肃高师学报》2010年第3期79-81,共3页Journal of Gansu Normal Colleges

基　　金：甘肃省教育厅科研项目"文县白马人池哥昼傩音乐调查与研究"(项目编号:0928B-03)阶段性成果

摘　　要：白马藏族只有语言没有文字,他们采用礼俗活动中的模仿、师承、家传等多种方式将古老、传统的傩舞"池哥昼"、圆圈舞、传统酒歌等音乐文化样态保留至今,体现出无文字民族特有的文化传承特征及人文内涵。从无文字环境中少数民族文化传承的特点入手,对白马藏族音乐文化的传承特性及文化功能进行初步的考察和研究。The Baima Zang Nationality in Gansu Province is a unique minority nationality with many specific customs.Baima Zang people has their own spoken language but no character.Their traditional musical literature are presented in various religeous belief activities and customs such as＂Evil-exorcising Dance＂、＂Chi-ge-chou＂、＂Circle Dance＂and＂Folk Custom Song＂.The author studied the means that the musical customs been descended from their ancestors as well as it’s social culture function of The Baima Zang Nationality in Longnan.

关 键 词：甘肃文县 白马藏族 音乐文化 口传心授 

分 类 号：J607[艺术—音乐]