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作 者:刘婷[1]
出 处:《北京大学学报(哲学社会科学版)》2010年第6期146-153,共8页Journal of Peking University(Philosophy and Social Sciences)
摘 要:影像叙述遭遇新媒体语境,其艺术形态和叙述方式必然在一定程度上对传统影像叙述进行反拨和修正:巴赞式的影像现实被数字化影像表达的无根漂浮所取代,时间和空间的概念必将在数字化影像表达中得以重新界定和诠释;影像叙述将不再是传统电影美学规范所能涵盖,而将成为新媒体语境下的"赛博空间化"生存和"影像数据库"化表达;与时间和死亡相抗衡的木乃伊情结也不再能够满足人们认识世界、表达世界和改造世界的强烈愿望,互动叙述下的游戏冲动将激发出新媒体语境下影像叙述的未来。Under the new medium context, the artistic style and narrative way of image description must be modified and amended against the conventional one to some extent. The uncertainty expressed by digital image replaces the Bazin image reality, and the concept of time and space will be re-defined and interpreted in them. Image description can no longer be covered by aesthetics "Cyberspace" survival and "Image Database" expression norms of traditional films, instead it will become in new medium context. The "Mummy" complex which struggles against time and death will never satisfy human's strong desires to understand, express and change the world, thus the game emotion within interactive narration will inspire the future of image Narration under new medium context.
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