论宋代文体学承前启后的地位和意义  

On the Key Place and Significance of Literary Style of Song Dynasty as a Link Between the Past And the Future

作　　者：任竞泽[1] 

机构地区：[1]陕西师范大学文学院,陕西西安710062

出　　处：《西南交通大学学报（社会科学版）》2010年第6期57-61,共5页Journal of Southwest Jiaotong University(Social Sciences)

基　　金：国家211工程重点学科建设基金项目(20081026);中国博士后科学基金资助项目(20090451368)

摘　　要：宋代文体学介于汉魏六朝和明代两个文体集大成的历史时段中间,在中国古代文体学发展史上占据着承前启后的关键地位,这可以从文体学史、文体分类、文体批评、文体纂述体例等很多方面反映出来。总集编纂与文体分类密切相关,宋代四大文章总集中,有三部继承《文选》体例,《文章正宗》虽也以《文选》为参照系,但另开门径,创立了真氏四分法。这种文体分类方法不但在理论上普遍为人们所认可,在实践中也影响深远,历宋元明清不乏效仿者。宋代文体学的最大贡献是其文体纂述体例上的承上启下,这主要表现在类书中"文部"的纂述体例上。而宋代发达的文体批评则成为古代辨体理论的先声。The Song Dynasty literary style existed between the Han, Wei, Six Dynasties and Ming Dynasty, and its effect of inheriting the past and ushering in the future reflect in various aspects, such as history, classification, criticism and compiling of literary style. The syllogism compiling and literary style classification are closely related. Thus, the Song Dynasty literary style classification value is obvious. The biggest contribution of the Song Dynasty literary style＇s study is its linking the preceding time with the following in the model of the literary style compiles, which mainly displays in the compiling style in ＂文部（Category of Wen）＂ of categary books. And the advanced style criticism of Song Dynasty could be looked as the pioneer of ancient style theory.

关 键 词：宋代文体学 文体学史 文体批评 文体分类 《文选》 真德秀 王应麟 严羽 

分 类 号：I206.2[文学—中国文学]