老子的“自然无为”与中国美学审美缘在构成论  

Natural Inaction of Laozi’s Idea and Karmic Being Constitution Theory of Chinese Aesthetics

作　　者：李天道[1] 

机构地区：[1]四川师范大学文学院

出　　处：《天津师范大学学报（社会科学版）》2010年第6期52-58,共7页Journal of Tianjin Normal University(Social Science)

基　　金：国家社会科学基金项目(06BZX072);国家社会科学基金项目(08BZX068)

摘　　要：老子主张取法自然,强调自然无为。受老子思想的影响,中国美学认为,整个审美缘在构成过程是内缘己心,外参群意,随大化氤氲流转,与宇宙生命息息相通,随着心中物、物中心的相互交织,最终趋于天地古今群体自我一体贯融,实现心源与造化的大融合。中国美学强调"目击道存",要求审美者走进自然山水之中,于"此在"中,以自然万物为撞击自己心灵、激发审美创作欲望和冲动的重要契机,为产生灵感兴会的渊薮,去心游目想,缘在构成,寓目入咏,即事兴怀。Laozi holds following the nature, and emphasizes natural inaction. Impacted by Laozi^s idea, Chinese aesthetics holds the constitution process of whole aesthetics is going along own heart inside, consulting public will outside, passing along with the world, closely linking to universe, along with the intermingling of matter in heart and heart in matter, finally trends to the integration of heaven, earth, ancientry, modern, group, individual, so as to realize the deep integration of heart and for- tune. Therefore, Chinese aesthetics emphasizes dao exists in the area eyes look at, requests apprecia- tor walking into natural landscape, into ＂dasein＂, taking nature as important chance to impact own soul, stimulate creation desire and impulsion, produce inspiration.

关 键 词：老子 自然无为 中国美学 目击道存 

分 类 号：B83-092[哲学宗教—美学]