《额尔古纳河右岸》的审美价值取向  

Aesthetic Value Orientation of The Right Bank of Argun River Written by Chi Zijian

作　　者：谢淑玲[1] 

机构地区：[1]辽东学院师范学院,辽宁丹东118003

出　　处：《辽东学院学报（社会科学版）》2011年第1期109-113,118,共6页Journal of Liaodong University：Social Science Edition

基　　金：辽宁省教育厅人文社会科学研究项目(2008Z107)

摘　　要：《额尔古纳河右岸》作为迟子建荣获第七届茅盾文学奖的长篇小说,展现给读者的是完全陌生的少数民族原始生态及百年沧桑。其对人与自然的神性描写,对原始宗教文化的形象阐释,都极富灵性。从万物有灵的多神崇拜、天人合一的生态和谐之美、豁达本真的生死观、万物因缘聚合等多方面体现出了作者的审美价值取向,从而引发读者对人与自然、民族文化与人类文明之间关系的深层思考。The Right Bank of Argun River is a novel that wins the 7th Mao Dun Literary Award written by Chi Zijian. In this novel, a total strange original living state of ethnic people and vicissitude of hundreds of years are displayed. Spiritualism is demonstrated in the divinity description of the people and nature and in the visual expla- nation of the original religious culture. By polytheistic worship of all things having souls, beauty of zoology harmony of man - nature integrity, open - minded and genuine view on life and death, the author demonstrates his aesthetic value orientation, thus igniting reader＇ s deep thinking about the relations between human beings, ethnic culture and human civilization.

关 键 词：迟子建 《额尔古纳河右岸》 鄂温克族 萨满教 审美价值取向 

分 类 号：I206.7[文学—中国文学]