席勒戏剧《强盗》中的自由概念  

The Concept of Freedom in Schiller′sThe Bandits

作　　者：王玉贵[1] 

机构地区：[1]南京工业大学外国语学院,江苏南京211816

出　　处：《南京工业大学学报（社会科学版）》2010年第4期69-72,共4页Journal of Nanjing Tech University：Social Science Edition

摘　　要：席勒的作品中贯穿着自由。在其名剧《强盗》中,青年席勒通过对莫尔家族两兄弟以及众强盗各自所持的不同自由观的描述,创造出了多种自由模式。这些自由模式是席勒对"自由"这一概念的最初理解,是解读席勒后期文学作品中"自由"含义的关键,因此有必要弄清《强盗》中自由模式的具体含义。The idea of freedom dominates all Schiller′s works.In his famous drama The Bandits,the young Schiller created several free patterns through the description of the different perspectives on freedom of the two brothers in the Moor family and the Bandits.These free patterns are Schiller′s initial understanding of the idea of freedom.They are the key to interpret the concept of freedom in his later literary works.Therefore,it is necessary to get a clear understanding of the specific meanings of these free patterns in The Bandits.

关 键 词：狂飙突进 席勒 《强盗》 自由模式 

分 类 号：I106[文学—世界文学]