论竟陵派诗学思想与创作实践的离合  

On Conforming and Dissociating between Theory and Poetry of the Jingling School

作　　者：曾肖[1] 

机构地区：[1]暨南大学文学院,广东广州510632

出　　处：《中国文学研究》2011年第1期25-28,共4页Research of Chinese Literature

基　　金：教育部人文社科青年项目"竟陵派诗学理论体系的建构("08JC751021)项目成果之一

摘　　要：以钟惺、谭元春为首的竟陵派提出了一条学古与性灵相结合的道路,通过《诗归》的选评,宣扬"求古人之精神"、"灵与厚"等主张;竟陵派的诗学理论表现出重静重灵、求奇求奥的倾向,这与竟陵诗歌"清新而有痕"的风格特点相一致;以"深幽孤峭"为特色的"竟陵体",与竟陵派"灵与厚"结合的主张并不完全吻合。The Jingling School presented the way of combining Retro and Spirituality lead by Zhong Xing and Tan Yuanchun. They promoted ＂the spirit of the ancients＂, ＂Spirit and Deep＂ and other viewpoints by selecting and commenting the Poetry Anthology. The poetic theory of Jingling School showed the trend of paying attention to quiet and spirit, seeking tendency of strange and profound, which were consistent with the poetic style of ＂fresh vestigial＂. The ＂Jingling Poetry＂ behaving style of ＂Deep and Solitary＂ were not entirely consistent with the idea of combining ＂Spirit and Deep＂ of the Jingling School.

关 键 词：竟陵派 幽深孤峭 灵与厚 

分 类 号：I206.09[文学—中国文学]