从“敦煌曲子词”到“唐五代文人词”词体审美风格之嬗变  

The Comparison Study of Esthetics Style of the Folksong Ci in Dunhuang Relics and the Literary Ci in Tang and Five-Dynasties

作　　者：韩波[1] 

机构地区：[1]大庆师范学院文学院,黑龙江大庆163712

出　　处：《大庆师范学院学报》2011年第1期69-72,共4页Journal of Daqing Normal University

基　　金：黑龙江省教育厅2010年人文社会科学研究指导项目"‘敦煌曲子词’与‘文人词’词体特征比较研究"(11554008)

摘　　要：敦煌曲子词以其质朴刚健的审美风格,鲜明地体现了民间词的艺术特色,并且,敦煌曲子词自然、真淳的词风,爽朗、直率的情感抒发方式等艺术特点,对唐五代文人词产生了深远的影响。在唐五代文人对民间词艺术特征继承和革新的过程中,词这种抒情文学体式的审美风格逐渐典雅化,到晚唐五代词体风格已经定型,形成了婉约性的艺术特点。对敦煌曲子词与唐五代文人词审美风格比较研究,可以洞察词体从民间词到文人词演进过程中,作者审美理念的发展变化,从而分析不同时期词作风格的成因及特点。The Folksong Ci in Dunhuang Relics clearly reflect the artistic characteristics of Folksong with its simple and vigorous aesthetic style.Moreover,the natural style and ingenuous fashion to express emotion in them had a had had profound influence on Literary Ci in Tang and Five-Dynasties.In the process of inheritance and innovation to the artistic characteristics of Folksong Ci,the aesthetic style of lyrical literature-Ci gradually became elegant.Until the late Tang and Five Dynasties,the style of Ci had been shaped to be graceful and restrained.The comparison study of the esthetics style of the Folksong Ci in Dunhuang Relics and the Literary Ci in Tang and Five-Dynasties enables us to recognize the changes and development of authors＇ aesthetic ideas from Folk Ci to Literary Ci,thus it helps us to analyze the causes and characteristics of style of Ci at different times.

关 键 词：敦煌曲子词 晚唐五代词 早期文人词 西蜀花间词 南唐李煜词 审美风格 

分 类 号：I207.23[文学—中国文学]