超文本、超网络的多媒体诗歌实验——论毛翰PPS格式音画诗歌创作的美学特征  

Hyper-textual and hyper-network multimedia poetry test——on the aesthetic features of Mao Han's creation of PPS-format electronic picture poems

作　　者：张晓婉[1] 李诠林[1] 

机构地区：[1]福建师范大学文学院,福州350007

出　　处：《安徽理工大学学报（社会科学版）》2010年第4期67-71,共5页Journal of Anhui University of Science and Technology:Social Science

摘　　要：诗人毛翰的PPS格式的电子音画诗,具有互文性、前景化、动态性的美学特征。这种超文本、超网络的多媒体诗歌实验,展现了网络时代中国诗歌发展的广阔空间与乐观前景,既有引领新潮的前沿性探索,又传承了中国传统诗歌与音乐、书画紧密结合,遣兴抒怀、关怀社会的优良传统。有必要将此PPS格式诗歌的美学实验,置于整个网络文学时代背景下进行分析与思考。The PPS-format electronic picture poems composed by the poet Mao Han boast several aesthetic qualities such as inter-textuality,foregrounding and dynamics.Such multimedia poetic experimentations,which are of a hypertext and hyper-network quality,present a vast space and promising future for the development of Chinese poetry during the internet era.It both leads avant-garde explorations and passes down great tradition of the Chinese traditional poetry that,with its close association with music and painting,expresses the poet＇s feelings and concern for the society.It is necessary to analyze and reflect on the aesthetic experiment of the PPS-format poetry by placing it in the whole context of internet literature.

关 键 词：多媒体诗歌 超文本诗歌 超网络 互文性 前景化 动态性 

分 类 号：I712[文学—其他各国文学]