生态现象学方法与生态存在论审美观  

Methodology for Phenomenology of Ecology and Aesthetic Standards for Existence of Ecology

作　　者：曾繁仁[1] 

机构地区：[1]山东大学文艺美学研究中心,山东济南250100

出　　处：《上海师范大学学报（哲学社会科学版）》2011年第1期5-10,共6页Journal of Shanghai Normal University(Philosophy & Social Sciences Edition)

基　　金：教育部人文社会科学重点研究基地重大项目(2009JJD750010)

摘　　要：生态美学的基本范畴是生态存在论审美观,而其所遵循的方法则是生态现象学方法。以上两者通过"此在与世界"的在世关系解构了传统认识论的"主客二分"关系与人类中心主义原则,为存在观、生态观与审美观的统一奠定了基础。现象学与生态美学都是通过"直观"悬搁了工具理性的各种观念,产生了生态美学的崭新的"家园意识",是对"无家可归性"、"无机性"与"疏离性"的否弃,走向人与自然统一的"家园性"、"亲密性"、"有机性"与"生命性"等新型的审美关系。The basic domains of ecology aesthetics are the aesthetic standards for ecological existence.The methods it follows are those for phenomenology of ecology.Through relations in existence,the two points mentioned above deconstruct the relationship between the subject the object in the traditional epistemology,as well as the principle of human centralism,thus laying a foundation for the unity of the notion of existence,of the concept of ecology,and of the standards for appreiciation of beauty. Through visual representations,both phenomenology and ecology aesthetics shelve or lay aside the various notions of instrumental reason and generate a brand - new consciousness of hearth and home typical of ecology aesthetics,which negates the notions of being rendered homeless,of being made inorganic,and of being kept at a distance.,thus moving towards new aesthetic relations featured by such qualities of man and nature united as one as：sharing the same homeland,being very close to each other, being organic,and being lively.

关 键 词：生态现象学 直观 生态存在论审美观 家园意识 

分 类 号：B82-058[哲学宗教—伦理学]